The College Crowd Digs Me

"Flash And The Pan" - Flash And The Pan (1979)      Here is a good cheapie I found at the Maize Record Show a few weeks ago.  I went with a psych album intent, and if I didn't find anything that popped my cork, I would at least leave with a couple of low-dollar fun finds.  And that's exactly what I did.  I found Flash And The Pan's self-titled debut album at "Garageman G's" table for a measly $3 and snagged it.  I'd heard "Hey, St. Peter" from this very album the night before on KSHE's playlist, a song I had always liked but completely forgotten about. And the kismet stars just lined up for me to find it the very next day.  Things like that happen to me from time to time.  And what a surprising treat.  Just excellent.         Only after taking it home, spinning the square, and reading about the band did I learn they had more than just a bit of music cred.   Harry Vanda  and  George Young, wh...

"Vagabonds Of The Western World" - Thin Lizzy (1973 )    My gateway album for Thin Lizzy was "Vagabonds of the Western World."   It's the one I heard first.  And listened to a lot.  I loved it then and still love it.  It doesn't have the familiar twin-guitar Lizzy sound that later studio albums would possess, and where the band did their real banking.  But "Vagabonds..." , their last album as a trio, is an incredible album in its own right.       Phil Lynott's songwriting is wonderful, as are his warm vocals and his bass playing, which is always a good time.  Phil Lynott,  with co-writers Eric Bell and Brian Downey, delivers the definitive macho jammer, "The Rocker," then turns around and kills us with his kindest of ballads, "Little Girl in Bloom," a song that offers so much hope.  It's a beautiful ballad…and his best.  Longtime drummer Brian Downey is on time as ever.   And the often underapprec...

"The Forest Of My Mind" - Paul Parrish (1968 )      This is all flowers, patches, peace, love, and maybe something to pass around while everyone is in...the forest.  Looking a bit like Freddie Mercury trying to decide what to bag up at the Nifty Nut House, Paul Parrish brings us a cool, groovy spin for the mind-palette.  Included in The Acid Archives , the album "The Forest Of My Mind" is filled with well-written songs, with good melodies and nice arrangements, each lightly dusted in various shades of psychedelic folk-pop bliss.  A cash-in of the lysergic variety, perhaps, but the album sounds much better than that.  Nothing on this square is a mind-blow.  Nothing here is deepy-deep by any means.  However, "The Forest Of My Mind" is presented in such good faith that the spin makes it nigh on impossible to stay in a bad mood.        Bonus still, it's a square that somehow gets better with each new listen....

"Lyle Lovett" - Lyle Lovett (1986 )       "Closing time.  Unplug them people."   I've been a fan of Lyle Lovett ever since watching him on Austin City Limits.  As I recall, he performed several songs from this album.  He had the audience in his back pocket.  I also remember watching a clip of him performing at a small summer outdoor get-together, before his name meant anything, where some people half-listen and the other half do whatever.  It reminded me of doing comedy at nowhere bars where they kept the TV on while you're trying to get some laughs.  You just keep doing what you set out to do, telling yourself somebody's listening.  And that's just what Lovett did.  Sang his songs like he's selling fresh butter for hot biscuits.  His debut album sounds a lot like that.  Even when his tongue is firmly in cheek, we still hear echoes of truth.  Drop the needle at the end of a long day, and it's a deep sigh. ...

"Alamo" - Alamo (1971)      Hailing from Memphis, Tennessee, Alamo's eponymous one-and-done album jams off and rocks out with classic acid rock aplomb.  Under the wide umbrella of early Grand Funk attitude, the album feels different enough, with its own strut, energy, and confidence to keep it real.   I just luv this era of classic rock and "Alamo" is a killer album when you just want to leave some highway miles in your rearview mirror.  Excellent guitar wahs and fuzz and churning Hammond organ strike a wonderful balance that's easy to like and hard to shake.  And the drummer on this album is the pusherman.  Good solid jammin' throughout.      The vocals are raw and raspy, melding perfectly with whatever track the band lays down.  It has a familiar Terry Kath-like timbre that sells every word.  And though the eight songs on this early '70s square don't especially push the envelope, they still bring the he...

"2 Originals Of Neil Young" - Neil Young (1975 )      Here's an album you seldom see.  It's the first one I've ever come across, and I would've passed right over it if I'd not seen someone in the vinyl community hold one up.  The square is easy to overlook because the album doesn't give off much of a Neil Young vibe, but more of a K-Tel Records compilation kind of thing.  Whatever vibe the cover may be casting, it certainly doesn't scream "Cinnamon Girl" or "The Loner."   But if you left it behind, you'd be missing something rather unique.       As strange as the outside cover of  "2 Originals Of Neil Young"  may be,   open the inside gatefold,  and  you'll discover two actual Neil Young albums.   The first is  "Neil Young" (1968), and the second is "Everybody Knows This Is Nowhere" (1969) with Crazy Horse.   It's a cool and surprising mind-flip.      The album was pressed in Ger...

"Golden Earring" - Golden Earring (1970)       Golden Earring's eponymous album, sometimes referred to as the "Wall of Dolls" album (just look at the back cover), was already the Dutch rock band's sixth album, and yet it still left them virtually unknown in the States.  I mean, Golden Earring seems to have already lived a lifetime before the US ever caught wind of them.   That, of course, would finally happen  three years later  when the band dropped what would become their signature song,  "Radar Love,"  from the "Moontan" album.  However, this 1970 offering already sounds like fractured pieces from Classic Rock albums yet to come.  Very balanced in the spectrum.   It's not easy to find, but definitely one with plenty of bang-bang in the wax.       The album has everything I want.  It's a banger with driving guitar that rocks, but then can chill in much the way Zeppelin could mellow out w...

"SAHB Stories" - The Sensational Alex Harvey Band (1976 )       The Sensational Alex Harvey Band  has always enjoyed adding a little slice of avant-garde to their sound.  A little twist to their lemons.   On  "SAHB Stories"  (pronounced "Sob Stories"),   however, the theatrics are toned down just a smidge, and yet the album still delivers more often than the midwives at the Nonnatus House.   Everybody came to the party, especially guitarist Zal Cleminson and bassist Chris Glen , who always seem to play off each other with such ease and chapeau.  "SAHB Stories,"  the band's sixth album, has it all and with no drop-off.   The riffage bangs right alongside  Alex Harvey's  tongue-in-cheek swag without any problems.  Add a little atmosphere and attitude, and you have yourself a  surprisingly strong hoss for being this deep in their discog rodeo.         The Sensational Al...

"71Spiders" - Spider Fingers (2017) (CD front and back)       "71Spiders" is a pretty tasty piece of guitar-driven crankage that bangs out in various directions with a mid-70s hard rock flair. The influences are numerous on this 11-song collection and ring out from coolly familiar yet oddly different places.  And it's this curious chasm that draws you in and creates unexpected flashes of awareness, making for a fun spin.  One you'll want to crank up.       Spider Fingers  is a founding member of both  The Flying Sixty Nine  and  Electric Monster.    Spider  is responsible for all the music and lyrics on this, his solo debut album, and is a chameleon of sorts, being whatever is necessary.  There are a couple of traffic cones on this square, but most of the songs work, maintaining a cool tone that often carries an enjoyable and unexpected edginess.  If you like your 70s guitar churn-and-burn c...

"Anthem Of The Sun" - Grateful Dead  (1968 )        "Anthem of the Sun," the band's second studio album, is the one I've wanted to own for the longest time.  And I intentionally avoided listening to this album until I could actually spin it for myself.  Probably the  Grateful Dead' s most psych-ified album, where the colorful 'pass-it-around' circle rug begins to spread wider and wider for everyone to enjoy.  An essential album, especially for psych enthusiasts.  Soon, the band would drift into a more cosmic country-folk-rock direction while still maintaining their community aura of headiness.        The trip-fest square   is a multiple-net-free tightrope walk across hundreds of wires strung from every direction… and crossing streams like you wouldn't believe.  An almost blindfolded adventure of sorts.  The band is fearless in their 1968 lysergic leap of faith.  This square is the purp...

"A Summer's Night" - Montreal (1970 )       "A Summer's Night" is a unique and pleasant ride on a very lightly acid-ized jazz-folk train car that gives the mind a wee-curious sensation.  This was Montreal's only album, but it did make its way into the Acid Archives .  It's pretty unusual to find a copy out here in Kansas, and it was cheap, so I had to grab it.  "A Summer's Night" is sort of loungy and gentle, but more than ordinary.  Something's going on.  Fran Losier's vocals have a nice timbre that recalls elements of both Françoise Hardy (without the French accent) and a softer Connie Devanney (Ill Wind).       Richie Havens signed Montreal to his own label and contributes some sitar and koto (a zither-like instrument) with a light touch.  Nothing that would suggest a Woodstock flashback.  There is also some occasional flute that I'm a sucker for.   "A Summer's Night" isn't a great album, but it...

"Rainbow Ride" - Andy Kim (1969 )      I had a few dollars left on my gift card, and in a bit of a hurry, I spotted Andy Kim's "Rainbow Ride" sporting a $5 sticker.  Being a fan of psychedelia, I thought this might hold a little of that stuff, so I grabbed it.  The album cover was throwing off some pop-psych vibes to me, and when I got it home, cleaned it, and dropped the needle on the square, that's exactly what it was.  The psych elements are fairly light, with side one being the strongest. But overall, it's pretty good.      I'm sure Andy Kim was just trying to rub shoulders a bit with the lysergic vibes that were in the air at the time.  No foul for that.  There is some fuzz guitar.  Some phasing.  Some studio trickery and noise-dropping shenanigans.  All of these kinds of things, but in small doses.  Nothing to scare Mom and Dad.  I dug the innocence of the lite-psych dabbling  on the  "Rain...