The College Crowd Digs Me

"Sad Wings Of Destiny" - Judas Priest (1976)       Sometimes, when you're very hungry, you make a great album.  Judas Priest's sophomore album is, if not great, very good and on so many levels.  I especially enjoy the prog-shine the album has without sacrificing any of the doomage.  Even when a song does chill, the danger dust hovers close by.   Judas Priest  was definitely trying to push things forward, led by Rob Halford's vocal-razor insanity, a proggy-doom metal cast, and dual guitars biting and spitting.  Whether they knew it at the time, I haven't a clue, but in 1976, the genre was taking a much-needed louie from a path that was becoming overly familiar.   It was one of those "giant steps for mankind" that one only recognizes after the fact.  A bit ahead of the game, Judas P. was.  The sound was more edgier and more threatening.  Budgie and Queen with a poisoned hairpin.  They were working it out an...

"Spirit Of The Boogie" - Kool & The Gang (1975 )       At the time, I didn't know just where  "Spirit of the Boogie"  fell into the Kool & The Gang discography, but the cover artwork was too awesome to leave behind, so I snagged.   And it's a good one to pick up.  This was the band's sixth studio album, and, along with their break-out album, "Wild and Peaceful" (1973) and "Light of Worlds" (1974), is considered by many to be the band's golden funk trilogy.         "Spirit of the Boogie"  is a strong package.  Fun and funky, with tasty jazz dust sprinkled all over it.  The clever arrangements found here give the funk a jammier heady ride.  The band would hit it good and hard again a few years later, striking gold by successfully jumping onto the disco wave.  But that's another story.  This one is a tasty, smart funk album…and another wonderful low-dollar/high-reward square to keep a...

"Strange Universe" - Mahogany Rush" (1975 )      There are some real bangers on this one.  It's heavy and funky and touched with a bit of psych dust.  "Strange Universe" was Mahogany Rush's third album and where the trio really stepped into their own.  It has everything.  Sure, he wears his influences on his sleeve, but fuhgeddaboudit.  This is good stuff!  Just let the boy play.  Frank Marino and Mahogany Rush  have put their own particular stamp on the envelope, and I love it.   One of my favorites.  An underappreciated guitar player, Frank Marino gives your speakers a good dusting with a variety of atmospheres that never drift too far from Base One.  Frank was only 21 when this dropped.  His best stuff was still yet to come. "Strange Universe" - Mahogany Rush" (back) "Strange Universe" - Mahogany Rush" (inside gatefold) Favorites include: "Tales of the Spanish Warrior" "Strange Universe"  "T...

"The Man In The Bowler Hat" - Stackridge (1974)      On my first listen I found myself enjoying about half of the tracks, and for the rest, feeling mostly indifferent.  This was a conundrum because the album has an overall British chill about it that I like.  Nothing bad on either side, but nothing really jumped out for me.  After the second and third spins, I was all in.  With founding Stackridge members Andy Cresswell Davis and James Warren leading the way and Sir George Martin at the production helm, the album has a kind of Beatlesque paintbrush sweep.      And though it sounds nothing like the Fab, the later McCartney "flavor" is present.  Add a little 10cc and Supertramp aura, and  "The Man In The Bowler Hat" becomes a beautiful, gossamer slice of art-rock/prog-pop pudding.  It's not a perfect album, but it's pretty dang good for what it is. The square's a grower, for sure, and deserves a spin or two of active l...

"Johnny The Fox" - Thin Lizzy (1976) This was Thin Lizzy's follow-up to their break-out album aptly named  "Jailbreak."   "Johnny The Fox" is filled with a lot of hard and catchy wrecking-ball riffs and harmonious guitars from Brian Robertson  and Scott Gorham up and down the board and mixed with the heady melodic stuff that Phil Lynott sells so well.   The drumming of long-stay Brian Downey is solid, per usual.  Thin Lizzy  has a unique hard rock style that's difficult to describe, but it's a rock-solid niche that hits that sweet spot.   And front to back, "Johnny The Fox" (1976) is a needle-drop banger.   But it's an album I rarely see.  I always check the "T" bins at record shops but seldom, if ever, come across one. (I'm still looking for a "Vagabonds..." but that's another story.)   Thin Lizzy  never hit the market in the States quite as strongly as they did across the pond, but their later a...

  "The Ark" - Chad Stuart & Jeremy Clyde (1968) I recently added another early psych album to my collection a few weeks ago.  The 1968 Chad & Jeremy offering… "The Ark" …was hiding in the used bins of The Record Ship , and I was extremely excited to find it.  I have “Of Cabbages And Kings" (1967), which was the duo's first dive in the psych pool, and it was pretty good.  “The Ark" is better. It was produced by Gary Usher , who went so beaucoup over budget he was fired.  Critics dug it, but the album went absolutely nowhere in the market.  "The Ark" might have lost money, but it's a fine square to spin.  The songs are all psych-dusted, and very much a snapshot of the times.  Baroque-ish and dreamy in nature.  Of course, a sitar sometimes raises its hand.  There is some speaker bouncing and other effects going on.  And the vocals are notch.  The spin has an overall heady vibe that's quite beautiful and the kind o...

  "Fleetwood Mac" - Fleetwood Mac (1975)       "You can play this record anytime you like.  There's a turntable in my basement if you think you might."   I didn't really need another copy of Fleetwood Mac's  second eponymous album, aka "The White Album," but I just couldn't let the early hype sticker go by.  This was the first of a few hypers to show up on this, the band's tenth studio album.  Little did Reprise know that this new incarnation of Fleetwood Mac  was about to blow up the radio.  And this very simple sticker used to help promote the album shows the label's hedge.   The album had a $10 tag stating, "plays fine, but side one scuffed."  And it definitely had an ugly scuff.  I couldn't feel anything, but the scuff looked nasty.  Bad enough...I took the record up to the counter and asked about it.  The fella holding down the fort asked if I wanted to play it...or told me I could bring it back i...